My a cappella group wants to record a song… now what?

My a cappella group wants to record a song… now what?

So you have decided you want to record a song – great! This list will help you understand the progression of a song from start to finish.

Know the process. Recording a song consists of four key components:

TRACKING

This is the step that most people associate with recording and the step you will be the most involved with. Typically by contemporary a cappella standards voices are recorded separately rather than as an ensemble. Each background part is recorded twice to add fullness and depth to the track. You will want to make sure you send your tracking engineer a MIDI map of your arrangement that you will be recording (including tempo changes, any changes to parts you have made over time, etc) and you will want to be sure that your singers know their parts well. It will waste everyone’s time if someone has to do more takes because they are learning their part as they sing.

EDITING

Editing is the cleanup step. If you sang a little sharp or flat or came in a second too early or late, that will be fixed here. This is also the step where any copy/paste work that needs to be done is taken care of. Your editor has done their job well if the edit is clean, tonally/rhythmically accurate, and there are no parts missing where they should have been copied and pasted. Remember: it is not the editor’s job to inject energy into your performance – make sure you sing with energy and dynamics in the tracking step!

MIXING

This is the other major step that people associate with recording. During mixing the track jumps into its “studio skin”. All of the effects (including reverb, EQ, compression, delay, etc) happen during this step as well as finalizing vocal levels. Your mixer will send an initial mix with their idea of what they think should happen with the song. From there you can give the mixing engineer notes (organized, polite notes) as to what changes you would like. Some engineers have a cap on how many revisions you are allowed to have, so be sure to prioritize your comments. Also, remember to take a step back and listen from an outsiders perspective (maybe even have someone else listen to it). It is easy to get caught up in little details, but the overall effect of the track is more important than hearing the alto line of the dubstep drop because they have the coolest rhythmic syllables you spent 2 years formulating.

MASTERING

If the track sounds great, why do you need mastering? Mastering is incredibly important especially if you only have one engineer for steps 1-3. In mastering, you get to have another professional listen to the track before releasing it, and they may catch something that both you and the mixing engineer did not. Also, the mastering engineer will put the final polish on your track, making it sound its best on as many platforms/speakers as possible (your phone, your car stereo, your beats, your grandma’s Google Home that she got as a gift, etc). It can be difficult to make those adjustments not knowing where the music will be played, but mastering engineers have the experience to make the calls as to what will sound best the most consistently across the board.

Now you know the process of recording an a cappella song! To find out more or to get started on recording YOUR group, reach out to me at corymhecht@gmail.com!

Welcome to my blog!

Welcome to my blog!

I appreciate you stopping by. These blog posts will cover a variety of topics – if there is a topic you’d like me to cover let me know!

Full-Service Studio Recording

Full-Service Studio Recording

Cory is available for studio recording sessions, as well as editing and mixing. If you have a project in mind, contact us to see if we are right for you!

No Air


Performed by Tizmoret. Originally by Jordin Sparks and Chris Brown. Arranged by Jeremy Gruen. Soloists are Esti Mellul and Azriel Zyberberg. Percussion by Cory Hecht.

Posted in Uncategorized
Africa – Shir Soul

Africa – Shir Soul

Performed by Shir Soul. Music originally by Toto. Arrangement and lyrics by David Ross and Chaim Moskowitz. Filmed in New York. Featuring David Ross, Chaim Moskowitz, Dovid Rubin, and Cory Hecht.

Kadima Hala

Kadima Hala


Performed by Tizmoret. Originally by Elai Botner. Arranged by Daniel Henkin. Soloists are Aaron Kohl and Thalia Sharon. Percussion by Cory Hecht.